Cola Font


Encyclopedia of digital Type!

Encyclopedia of digital Type (fonts)!

True type online Old english buy Tipografia & Caractère: Fontview: Glyph in our shop Zeichensatz: Fnt: Barcode in our shop Bookman and Fixed width cheap Italic order Postscript Antiqua Fraktur is Ocr a extended, Polices Monospace also Garamond also Wordart buy Dotted Opentype Engravers in our shop Logotype & Font buy Fonte cheap Batang immediate Cyrillic Fontviewer and Caslon also Dingbat or Grafitti fonts immediate Caractere Condensed, Antialiasing, Lettertype often Altdeutsche schrift, Schriftart Typeface in our shop Fon immediate Zapf, Baskerville and Hiragana buy Underline often Readability / Tipografias, Pfm buy Bell gothic is Sans serif in our shop Scribble Calligraphy: Freetype / Word in our shop Katakana - Fontes also Schriftarten is Lettertypen Schrift is Caractères immediate Bdf or Rounded / Mt extra and Schriften order Chank Freefonts Monospaced Typography - Calligraphic, Otf Bgcolor Pfb buy Typefaces order Onts buy Glyphs Semibold cheap Xft cheap Bold Afm Handwritten and Fontmaker Dingbats order Cleartype immediate Typo / Aliasing in our shop Ctan often Typewriter order

  Deutsch English 
  Main   Software   Font Service   Shopping Cart   Information   Contact  
Imprint about Fonts Encyclopedia Interesting

Classification of Typefaces

Typefaces are divided into different classes by means of formal reconnaissance features. The DIN 16518 is a partly obsolete but—for lack of meaningful alternatives—still a valid classification of typefaces into genres and categories. The Standard 16518 was published in August 1964 by the German Institute for Standardization (DIN) and followed the suggestion of the Association Typographique International (ATypI) considerably. This norm is very controversial among type experts but still education basis in professions in the graphic industry. It is primarily reproached for its scheme being too old-fashioned and for not satisfying the demands of the type development of the last years any more. A revision of the norm is in work, an agreement of the experts about a new version however still not foreseeable.
In dividing the typefaces into groups, the following changes were made to classification according to
DIN 16518:

Broken Types
(DIN 16518: Group X)

Humanists and Garaldes
(DIN 16518: Group I and II)

(corresponds to DIN 16518 group III)

Modern Face (corresponds to DIN 16518 group IV)

Slab Serifs
Egyptian, Clarendon, Ionic (corresponds to DIN 16518 group V)

Sans Serif, Gothic Grotesque (corresponds to DIN 16518 group VI)

(similar to DIN 16518 group VII)

(corresponds to DIN 16518 group VIII)

The DIN group IX “Graphics” has been omitted altogether. The typefaces normally included in this category have been accommodated either in Scripts (VIII) if they have a distinct hand-written character, or, if they have a distinct old-style character, to the appropriate old-style group.
DIN group X “Broken Types” has been included as a whole in group I.