Encyclopedia of digital Type!
Encyclopedia of digital Type (fonts)!
Smudger in our shop Graffity Fraktur: Schriften in our shop Symbols, Onts Fronts buy Grafitti cheap P22 cheap Typewriter Tipografias in our shop Kostenlos Bodoni buy Christmas immediate Typographie / Curlz online How to install online Mac os x in our shop Fonts+ / Italic 1000 Schrift Fontes, Garamond often Texts order Freak / Distressed / Sindhi buy Comic, Caractere immediate Caractères, Chank, Eurostile immediate Old english font Frutiger خطوط often Farsi often Fons cheap Barcodes Typefaces Fon order Freetype Bookman buy Schriftart buy Zapf order Bold or Caractère in our shop Arial bold is Typography Dingbats online Scary, Dotted is Alphabets Georgian buy Polices: Frre is Techno in our shop Viner hand Condensed or Graffiti and Pizzadude Pfm cheap Vietnamese buy Wordart Flaming text or Calligraphic buy Brushes immediate Lettertype Old fashion is Pfb Unicode Old fashioned Tengwar Xmas - Webdesign Font's order Trajan cheap Scrapbook in our shop Opentype Engravers immediate Caligraphy Xfs True type Caratteri Shx, Dafont and Greek immediate Dingbat cheap Cyrillic and Monospace order Os x also Antialiasing and Urdu also Wingdings Antiqua - Style & Carattere Punjabi, Typo in our shop Bauhaus is Old english Rounded: 1001 cheap Freefonts Russian Classy cheap Font downloads, Bookman's: Jugendstil order Xft is Freaky / Bitstream and Central european cheap Typeface buy Tipografia online Unzipped Fots & Schriftarten - Handwritten in our shop Vni /
| || |
| || |
Classification of Typefaces
Typefaces are divided into different classes by means of formal reconnaissance features. The DIN 16518 is a partly obsolete but—for lack of meaningful alternatives—still a valid classification of typefaces into genres and categories. The Standard 16518 was published in August 1964 by the German Institute for Standardization (DIN) and followed the suggestion of the Association Typographique International (ATypI) considerably. This norm is very controversial among type experts but still education basis in professions in the graphic industry. It is primarily reproached for its scheme being too old-fashioned and for not satisfying the demands of the type development of the last years any more. A revision of the norm is in work, an agreement of the experts about a new version however still not foreseeable.
In dividing the typefaces into groups, the following changes were made to classification according to
(DIN 16518: Group X)
Humanists and Garaldes
(DIN 16518: Group I and II)
(corresponds to DIN 16518 group III)
Modern Face (corresponds to DIN 16518 group IV)
Egyptian, Clarendon, Ionic (corresponds to DIN 16518 group V)
Sans Serif, Gothic Grotesque (corresponds to DIN 16518 group VI)
(similar to DIN 16518 group VII)
The DIN group IX “Graphics” has been omitted altogether. The typefaces normally included in this category have been accommodated either in Scripts (VIII) if they have a distinct hand-written character, or, if they have a distinct old-style character, to the appropriate old-style group.
(corresponds to DIN 16518 group VIII)
DIN group X “Broken Types” has been included as a whole in group I.