Old English Fonts
Encyclopedia of digital Type!
Encyclopedia of digital Type (fonts)!
Distressed cheap Bodoni & How to install also Caratteri - Style immediate Scrapbook / Alphabets: Punjabi Fonts+ in our shop Viner hand immediate Curlz خطوط Unicode often Sindhi Bookman's is P22 Os x order Kostenlos immediate Dafont online Zapf Wingdings and Caractere & Frre: Tipografias in our shop Old english immediate Onts Garamond Freaky & Old english font buy Calligraphic or Lettertype also Fon is Trajan: Typewriter Tengwar also Tipografia / True type Typo immediate Chank, Texts Farsi cheap Typography and Graffity order Caractère Polices, Greek: Caligraphy Eurostile and Bitstream, Typefaces online Handwritten online Jugendstil Grafitti often 1000 & Arial bold in our shop Central european Engravers in our shop Graffiti or Pizzadude Fontes Vietnamese often Xft often Vni - Schrift cheap Rounded cheap Wordart order Flaming text, Freak Classy buy Fraktur: Bookman order Typographie is Antialiasing 1001 & Techno, Barcodes - Typeface order Georgian, Russian cheap Schriftarten immediate Christmas, Xfs Dingbat immediate Antiqua in our shop Italic Font and Dotted Fronts Webdesign often Urdu Font downloads in our shop Smudger, Condensed Freetype Carattere - Fons in our shop Schriften order Fots online Frutiger: Schriftart Comic & Pfm Old fashioned Caractères Shx Dingbats Bold is Monospace - Old fashion Font's online Xmas Symbols Scary - Brushes / Mac os x Bauhaus cheap Cyrillic is Unzipped Opentype Pfb immediate
| || |
| || |
Classification of Typefaces
Typefaces are divided into different classes by means of formal reconnaissance features. The DIN 16518 is a partly obsolete but—for lack of meaningful alternatives—still a valid classification of typefaces into genres and categories. The Standard 16518 was published in August 1964 by the German Institute for Standardization (DIN) and followed the suggestion of the Association Typographique International (ATypI) considerably. This norm is very controversial among type experts but still education basis in professions in the graphic industry. It is primarily reproached for its scheme being too old-fashioned and for not satisfying the demands of the type development of the last years any more. A revision of the norm is in work, an agreement of the experts about a new version however still not foreseeable.
In dividing the typefaces into groups, the following changes were made to classification according to
(DIN 16518: Group X)
Humanists and Garaldes
(DIN 16518: Group I and II)
(corresponds to DIN 16518 group III)
Modern Face (corresponds to DIN 16518 group IV)
Egyptian, Clarendon, Ionic (corresponds to DIN 16518 group V)
Sans Serif, Gothic Grotesque (corresponds to DIN 16518 group VI)
(similar to DIN 16518 group VII)
The DIN group IX “Graphics” has been omitted altogether. The typefaces normally included in this category have been accommodated either in Scripts (VIII) if they have a distinct hand-written character, or, if they have a distinct old-style character, to the appropriate old-style group.
(corresponds to DIN 16518 group VIII)
DIN group X “Broken Types” has been included as a whole in group I.