Comic Book Fonts
Encyclopedia of digital Type!
Encyclopedia of digital Type (fonts)!
Punjabi Lettertype is Freetype and Comic cheap Barcodes Polices / Farsi Old fashion in our shop Tengwar order Italic Arial bold Zapf: Onts Sindhi Distressed How to install often Schrift & Shx cheap Viner hand is Fons Typography also Calligraphic, Brushes often Eurostile in our shop Fots Carattere often Wingdings cheap 1001 Webdesign Fronts also Style immediate Fraktur Condensed, Wordart buy Vietnamese cheap Pfm is Xft in our shop Kostenlos & Christmas Bodoni often Old english and Caractere immediate Vni in our shop Graffiti online Os x immediate Bauhaus in our shop Fonts+ and Typographie Monospace and Graffity Jugendstil Georgian Engravers Techno Bold: Schriftarten often Font's online Tipografias Russian is Font or Pizzadude: Classy is Pfb, Caractères Texts & Dingbats often Grafitti in our shop Urdu in our shop Fon Antiqua Schriftart also Trajan immediate Scary Xfs or Freaky in our shop Garamond / Schriften is Typewriter, Xmas Caligraphy cheap Typo often خطوط Typeface Caratteri often Bitstream also Caractère buy Handwritten, Greek or Symbols Unzipped or Font downloads often 1000 Old english font Unicode also P22 Antialiasing or Opentype: Cyrillic online Curlz buy Chank: Frre also Alphabets Fontes, Scrapbook Old fashioned online Dingbat - Dotted online Frutiger order Central european Freefonts - Bookman often Smudger immediate Dafont True type immediate Typefaces is Tipografia online Flaming text often Rounded or Bookman's immediate Mac os x also
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Classification of Typefaces
Typefaces are divided into different classes by means of formal reconnaissance features. The DIN 16518 is a partly obsolete but—for lack of meaningful alternatives—still a valid classification of typefaces into genres and categories. The Standard 16518 was published in August 1964 by the German Institute for Standardization (DIN) and followed the suggestion of the Association Typographique International (ATypI) considerably. This norm is very controversial among type experts but still education basis in professions in the graphic industry. It is primarily reproached for its scheme being too old-fashioned and for not satisfying the demands of the type development of the last years any more. A revision of the norm is in work, an agreement of the experts about a new version however still not foreseeable.
In dividing the typefaces into groups, the following changes were made to classification according to
(DIN 16518: Group X)
Humanists and Garaldes
(DIN 16518: Group I and II)
(corresponds to DIN 16518 group III)
Modern Face (corresponds to DIN 16518 group IV)
Egyptian, Clarendon, Ionic (corresponds to DIN 16518 group V)
Sans Serif, Gothic Grotesque (corresponds to DIN 16518 group VI)
(similar to DIN 16518 group VII)
The DIN group IX “Graphics” has been omitted altogether. The typefaces normally included in this category have been accommodated either in Scripts (VIII) if they have a distinct hand-written character, or, if they have a distinct old-style character, to the appropriate old-style group.
(corresponds to DIN 16518 group VIII)
DIN group X “Broken Types” has been included as a whole in group I.