Comic Book Fonts


Encyclopedia of digital Type!

Encyclopedia of digital Type (fonts)!

Freaky immediate Carattere Schriftarten - Fronts Font's in our shop Freefonts Flaming text buy Distressed cheap Urdu Style and Scrapbook often Brushes and Smudger, Barcodes Fonts+ Jugendstil Opentype Typewriter buy خطوط Wingdings: Caractère Tipografias online Schrift Bookman is Fots - True type / Bold and Punjabi: Fontes Pizzadude Engravers Caligraphy cheap Onts Caractères Bauhaus & Zapf Antiqua cheap Russian - Bitstream: Texts cheap Eurostile in our shop Xft cheap Unzipped also Shx - Monospace Grafitti online How to install online Comic and Farsi or Freetype Vni, Christmas online P22 also Trajan Old fashion order Frre order Alphabets order Pfb Classy Tipografia buy Greek Graffity often Fon Os x order Graffiti Webdesign cheap Garamond also Unicode - Old english font / Georgian Tengwar Bookman's, Fons / Frutiger, Schriftart & Caratteri Font / Polices, Techno online Chank order Xmas: Pfm Xfs Wordart or Lettertype Scary - Old english is Viner hand Fraktur online Dingbat: Dafont Central european & Italic in our shop Dingbats, 1000 / Condensed in our shop Typography Kostenlos or Schriften Typefaces online Handwritten Calligraphic immediate Vietnamese / Arial bold is 1001 Typo often Sindhi cheap Antialiasing, Dotted in our shop Typographie Freak immediate Typeface - Font downloads Rounded: Symbols immediate Old fashioned Caractere Cyrillic Bodoni in our shop Mac os x

  Deutsch English 
  Main   Software   Font Service   Shopping Cart   Information   Contact  
Imprint about Fonts Encyclopedia Interesting

Classification of Typefaces

Typefaces are divided into different classes by means of formal reconnaissance features. The DIN 16518 is a partly obsolete but—for lack of meaningful alternatives—still a valid classification of typefaces into genres and categories. The Standard 16518 was published in August 1964 by the German Institute for Standardization (DIN) and followed the suggestion of the Association Typographique International (ATypI) considerably. This norm is very controversial among type experts but still education basis in professions in the graphic industry. It is primarily reproached for its scheme being too old-fashioned and for not satisfying the demands of the type development of the last years any more. A revision of the norm is in work, an agreement of the experts about a new version however still not foreseeable.
In dividing the typefaces into groups, the following changes were made to classification according to
DIN 16518:

Broken Types
(DIN 16518: Group X)

Humanists and Garaldes
(DIN 16518: Group I and II)

(corresponds to DIN 16518 group III)

Modern Face (corresponds to DIN 16518 group IV)

Slab Serifs
Egyptian, Clarendon, Ionic (corresponds to DIN 16518 group V)

Sans Serif, Gothic Grotesque (corresponds to DIN 16518 group VI)

(similar to DIN 16518 group VII)

(corresponds to DIN 16518 group VIII)

The DIN group IX “Graphics” has been omitted altogether. The typefaces normally included in this category have been accommodated either in Scripts (VIII) if they have a distinct hand-written character, or, if they have a distinct old-style character, to the appropriate old-style group.
DIN group X “Broken Types” has been included as a whole in group I.