Encyclopedia of digital Type!
Encyclopedia of digital Type (fonts)!
Old english font Tipografias immediate Dingbats buy Tipografia Bauhaus or True type order Wordart Opentype Freak and Mac os x buy Antialiasing - Texts & Fontes online Italic, 1000 Smudger also Brushes and Viner hand: Chank is Freefonts & Rounded Polices, Shx order Fons buy Graffiti is Graffity Typo / Old fashioned immediate Symbols Bold online Kostenlos Calligraphic or Tengwar, Eurostile Typefaces online Barcodes in our shop Dafont order Garamond online Font in our shop Comic Classy in our shop Xmas immediate Urdu Zapf Russian خطوط immediate Bookman also Bitstream and Xft, Monospace, Sindhi, Fronts, Wingdings: Font's immediate Christmas cheap Caractères or Techno Typeface - Trajan order Alphabets order Jugendstil, Antiqua, Old english is Caratteri Fots, Bookman's buy Freetype / P22 or Farsi in our shop Freaky Xfs Pizzadude buy Caractere: Fraktur buy Schriftarten Dingbat, Style Schrift and How to install & Central european Engravers Handwritten buy 1001 and Typewriter immediate Distressed is Grafitti often Os x: Webdesign buy Scrapbook Unzipped Arial bold immediate Font downloads Carattere is Flaming text, Bodoni & Condensed: Typographie & Greek, Old fashion - Frre & Cyrillic is Fonts+ or Vni & Punjabi in our shop Scary Caligraphy & Georgian, Dotted or Pfb / Fon Unicode Pfm / Schriftart / Lettertype online Caractère online Frutiger and Onts order Curlz Typography & Vietnamese -
| || |
| || |
Classification of Typefaces
Typefaces are divided into different classes by means of formal reconnaissance features. The DIN 16518 is a partly obsolete but—for lack of meaningful alternatives—still a valid classification of typefaces into genres and categories. The Standard 16518 was published in August 1964 by the German Institute for Standardization (DIN) and followed the suggestion of the Association Typographique International (ATypI) considerably. This norm is very controversial among type experts but still education basis in professions in the graphic industry. It is primarily reproached for its scheme being too old-fashioned and for not satisfying the demands of the type development of the last years any more. A revision of the norm is in work, an agreement of the experts about a new version however still not foreseeable.
In dividing the typefaces into groups, the following changes were made to classification according to
(DIN 16518: Group X)
Humanists and Garaldes
(DIN 16518: Group I and II)
(corresponds to DIN 16518 group III)
Modern Face (corresponds to DIN 16518 group IV)
Egyptian, Clarendon, Ionic (corresponds to DIN 16518 group V)
Sans Serif, Gothic Grotesque (corresponds to DIN 16518 group VI)
(similar to DIN 16518 group VII)
The DIN group IX “Graphics” has been omitted altogether. The typefaces normally included in this category have been accommodated either in Scripts (VIII) if they have a distinct hand-written character, or, if they have a distinct old-style character, to the appropriate old-style group.
(corresponds to DIN 16518 group VIII)
DIN group X “Broken Types” has been included as a whole in group I.